Triple Bill: Fix, Loose in Flight and Rush
fix (2000)
Fix (2000) Premiere: 11 March 2000, Tron Theatre, Glasgow 15mins In a cascading chain reaction of narrative motion, this explosive new solo work draws its energy from Sufism‚ whirling dervishes and the search for an innovative, chemical fusion of sound, light and movement. Artistic Direction, Choreography and Costumes by Akram Khan Composer Nitin Sawnhey Light Designer">Light Designer Michael Hulls Fix was created with the assistance of a Jerwood Foundation Choreography Award 1999.
Loose in Flight (2000) Premiere: 11 March 2000, Tron Theatre, Glasgow 12mins A Woking Dance Umbrella commission. New dance territory is being created here, with a driving score by Angie Atmadjaja, Akram blends and merges Kathak with contemporary dance. Using Kathak as the structural base, he continuously attempts to break out into lyrical passages of contemporary action. The river is crossed back and forth. Artistic Direction, Choreography, Costumes and Performance by Akram Khan Composer Angie Atmadjaja Light Designers Akram Khan/Charlotte McClelland
rush (2000)
Rush (2000) Premiere: 5 October 2000, Midlands Arts Centre, Birmingham 30 mins A purely abstract work inspired by the observation of paragliders in “freefall˜, a physical state between tremendous speed and serene stillness. A rare Indian cycle of nine and a half beats is the choreography basic structure for movement, space and music. In 2004 Rush became part of the A-levels syllabus in the UK. Artistic Direction, Choreography, Costumes by Akram Khan Composer Andy Cowton Lighting Designer Michael Hulls Dancers Akram Khan Moya Michael Gwyn Emberton (until January 2002) Inn Pang Ooi (from January 2002) Rush has been commissioned by Dance Umbrella, Yorkshire Dance Centre, DanceEast, Birmingham DanceXchange and Sampad. Rush has been co-produced by P.A.R.T.S (performing arts research training studios) in Brussels as part of The X group project and has been supported by Charleroi Danse in Belgium. The Akram Khan Company would like to thank Mathilde Monnier for curating the project Rush and for co-financing from the European CoDaCo fund









