O

Split into two halves, one almost the antithesis of the other, the core of O was Clark’s definitive version of Igor Stravinsky’s Apollo, plus a work accompanied by heart-pumping music including Wire and Iggy Pop.

Clark took ideas of fullness becoming empty, the hole becoming whole, negative space becoming positive to create a totally new framework for O – his ground zero.
The most creative dialogue ever between Clark’s classical and criminal alter-egos.
The Guardian

Bad and beautiful; that’s Clark all over
The Times